My
first record player was an "antique" HMV 101 wind up gramophone.
Then I switched to a second hand two-speed (33 and 78 RPM) 
Philips
belt drive with a featherweight arm, later replaced by the AG
2140.
As
a student I had a Saterday afternoon job in a record store. When I had
saved enough to improve my simple but musical audio system I of course
looked at the Thorens TD 124. Too expensive for me!
I
had to content myself with a Lenco L-59 with the heavy headshell, springy
arm and in time deteriorating clumsy lowering device.
My
next turntable was a Dual 1229 (with idler wheel drive!), which was
eventually replaced by a Technics SL 150 and afterwards by a beautiful,
second hand Thorens TD-125.
Thirty
years ago a second hand TD-124 was offered in an electronics magazine.
I travelled two and a half hours by train to collect the machine and
two and a half hours back carrying the turntable under my arm. The deal
included an SME 3012 with rumbling knife bearings.
The
acquisition meant a completely new experience in understanding turntables
and their mechanics.
The
sales director of the electronics company who had imported the Thorens
products in the nineteen sixties suggested that I would take out the
bearing and the platter, add a motor, build a plinth and would construct
a belt drive turntable. He knew very well that keeping a TD 124 alive
was not easy. It would take much attention and care. He indicated that
times had changed and the concept of a turntable had evolved.
Jean-Constant Verdier proposed his Platine Verdier with
its 20 kg heavy platter and magnetic bearing, first described in l'Audiophile
magazine from France. Melco showed the heavy three-legged platters.
Thorens designed "Der Referenz" which seemed to have traits
of an offshore oil rig that could withstand the heaviest storms and
tides. See Notes
on The Belt-Drive Turntable.
There
were also the accurate Japanese top direct drives by Technics, Kenwood,
Sony, Denon. As the Thorens TD 124 was considered an old concept, it
was very easy to buy spare parts for the TD 124 for very little money.
A
friend and I bought new TD 124 bearings and we designed a heavy turntable:
shape, size and weight of the platter, the stone plinth filled with
sand, the arm base which made the interchanging of arms very easy. This
resulted in the construction in 1980 of my own turntable with a 9.8
kg heavy platter, called "Basic Turntable". My experiences
led to the publication of a rather comprehensive series of articles
about turntable building (materials, sound, mechanics, coupling, etc.)
in the years 1986 to 1995.
In
the pre world-wide-web days it was easy to buy TD 124 tables. That made
it possible to re-assemble a well functioning 124 with an aluminum platter
instead of the iron one.
When
the internet was becoming more accessable I published The TD
124 Page in 2001. The www let the TD-124 cult come out into
the open. More owners of TD-124 turntables manifested themselves on
the internet and exchanged ideas and knowledge. In the beginning only
belts were available and on occasion an idler wheel, and rarely a Papst
Aussenlaufer replacement motor.
Today there are all sorts of newly manufactured parts available: idler
wheels, belts, rubber grommets, arm boards in many shapes and sizes,
spindle bearings and bearing housings, and a platter is being manufactured
to replace a damaged or less well turning item. This is all to the benefit
of a sound reproduction with less rumble, with good values for wow and
flutter, and achieving good transients due to the idler wheel. Yes,
the legend is still spinning.
|
THE CULT
There
are quite a few proud owners of the legendary TD 124 turntable. The
reasons why they own this turntable, designed and manufactured with
the legendary Swiss precision, are manyfold.
Some have acquired this model because they have become analog addicts
and choose for a reproduction of the legendary records and want to
use one of the best machines available in the era of Decca SXLs, Deutsche
Grammophon Gesellschaft SLPEMs Red Stereos, RCAs LSC shaded dogs,
Philips HiFi-Stereos, British Columbia SAXs, HMV ASDs and American
Columbia 6 eye labels. The aim of these music lovers is achieving
a sound reproduction in style.
Then there are the collectors of vintage audio equipment and no collection
is complete without a TD-124.
IDLER WHEEL AND BELT
Firm
believers in the principle of the idler wheel also want to own a TD-124,
although it is not an idler wheel drive in the strict sense and differs
from a Garrard 301 and 401 in transmission, operation and sound.
Others buy the 124 because they love to restore and optimize an old
machine and make it work to perfection. Even removing its original
paint and have it sprayed anew professionally can be an option like
several Lencolovers do with their L78s, etc. turntables.
Another reason for buying a TD-124 (or whatever quality legend turntable)
can be that it was too expensive at the time, as in my case. Today
prices shown in the eBay listings at about $ 1000 (without tonearm)
are still affordable prices if compared to the modern cosmetically
designed heavy platter belt drive type turntables. And you should
not pay too much in order to be able to buy spare parts and pay for
maintenance.
JOACHIM
BUNG'S APPROACH
The
true historian approaches his subject with care and he will make observations
from different angles. He wants to give a detailed picture, starting
from the origin, following the development, and then finally placing
it in a larger context to better understand the value of it. That
is excatly what journalist Joachim Bung from Germany has done. I did
not see and read his first book "Schweizer Prezision" which
was only accessable for those who know German at least at school level.
That 111 page book received much praise from those whose knowledge
did not restrict them to just image viewing.
THE
NEW EDITION
It
was clear that the information and knowledge collected by Joachim
Bung deserved a larger readership. But all great enterprises do not
only need the necessary financing but also ask for a lot of work:
translating, correcting, editing, defining a lay out, desktop publishing,
selecting pictures and historical material like advertisements, reviews,
documents, the retouching of images when necessary, plate production,
color adjustment, etc. etc.
Some readers would probably say: Well he has got all this from the
German edition, so only the translation is necessary and a few adjustments.
THE
BIG SURPRISE
Well,
that is not what happened. Preparing "Swiss Precicion" offered
a unique opportunity to enlarge the scope of the book and pay a lot
of attention to the timeframe the TD 124 was born, developped and
manufactured in. There was not only the TD 124. There were less costly
Thorens models too. And there were the competitors like Garrard, Lenco,
Jobophon (Acoustical), PE, Elac, etc. And there were the manufacturers
of cartridges and tone arms which were connected to the TD 124 and
other makes, as today these are legends themselves: SME, Ortofon and
Shure. And naturally, it is tempting to include a pioneer like Avery
Fisher, and to dwell on other brands of tables, amplifiers, cartridges,
arms and gadgets.
THE
ENGLISH BOOK
And
that is what Joachim Bung did. He extended the 111 page first German
edition to a mere 290 pages of the English edition, all filled to
the brim with pictures, detailed information, specifications, documents,
etc. Did you know that Perpetuum Ebner in their PE 33 Studio turntable
also used the belt and idler wheel concept, the same as in the TD
124? It is in the book! And did you know that Braun used the same
principle of idler wheel and belt but in reversed order? It is in
the book! (Note: It is the same way the simple Triotrack machines
from Acoustical in the Netherlands were working.) The many brands
existing in the nineteen fifties and sixties are extensively documented
in detail.
THE
FASCINATION
This
book is not a book to page through and then put it on the shelf. Swiss
Precision is a book to spend hours and hours reading and looking at
the telling images. It is not just a book for the old buffs who witnessed
the Lp era in the nineteen sixties and seventies. No, it is also a
book for the younger generations, for those who have some interest
in technique, in mechanics and the history of the front end where
the rich analog sound reproduction begins.
The sheer variety and the ever surprising visual material make Swiss
Precision a fascinating book. My advise is: Get your copy as soon
as possible before it is sold out or before you will have to wait
for another printing being ready.
It is worth every penny invested. And that is not a cliché!
THE
SUBJECTS
- The
book does not have a register at the end for quick reference checking
of names of people, products and item numbers. And I must tell you
that this is very well so. It makes the reading adventure even more
exciting and above all surprising. It is about the birth of the idler
wheel and the belt drive turntables.
But there is of course the contents as extensively indicated on the
first pages from which I give a condensed list:
* Encounters with the
owners and designers. The years 1957-1967.
* The competition: Lenco, Garrard, Connoisseur, Acoustical, Rek-O-Kut,
Empire, etc., and EMT.
* Tonearms, cartridges and accessoires.
* Hifi in Germany and the various brands.
* The legendary TD224 record changer and the engineers who designed
it.
* The rediscovery of the TD 124
* The spare parts which are still available and manufactured.
* And very important: tips for purchasing a used TD124. See The
TD124 page.
- This
book is going to be a bestseller, if it ain't already.
©
Rudolf A. Bruil - Page first published on the www on June 29, 2008.
If you want information on how to order this quality book, just send
a mail by clicking on the author's name: Joachim Bung. (mail@joachim-bung.de)
Joachim
Bung.
The
price is €69, plus cost of shipment. That may be expensive. But
if compared to the prices you pay for manuals (which of course have
also their value), it is relatively cheap.
Joachim
Bung has been preparing a new edition on the Thorens TD124 and its
historical context in 2 Volumes in a beautiful slipcase. In short,
it is
a monumental edition with a
total of 960 pages that will be available by the end of February,
2019.
|
From
top to bottom: cover of "Swiss Precision. The Story of the Thorens
TD 124 and Other Classic Turntables", impression of the pages,
quality checking of a print proof, calibrating the PMS colors, the
binding machine, final quality control, and a palet loaded with books.
|
